Etymology for the Writer or Artist

A few will be aware I have been known to speak on various subjects over the years. Fundamentally these all revolve around my favourite subject of etymology. Have always enjoyed bringing this fascinating subject to others. It’s not for me to say whether the audiences have, although many have asked me to return.

Thought it might be worthwhile sharing a snippet or two from these etymological presentations, continuing with Etymology for the Writer or Artist. Every artist knows the names of the techniques and methods used to produce that painting, sculpture, or moulding, while writers are well-acquainted with parts of speech, tenses and grammar. But how many artists really know how a technique, style, or even a colour got its name? Are writers aware of why a noun, verb, or adjective is known as such? And very few will understand just why tenses are known as they are - I mean who ever though the 'pluperfect' sounded remotely useful as a term? Not simply a lesson in etymology this is a very different way of looking at history and how the English language developed over several centuries.

Created for the many writing groups I have spoke to, it made a change for them from the usual guests who either tell them about themselves or attempt to inspire their writing. A couple of examples from the origins of our alphabet.

A – derived from the Greek alpha. Used in the modern sense to mean ‘the first’ dates from the 17th century. The Greeks got it from the Hebrew and/or Phoenician aleph (greek not permitting the use of consonants at the end of words so they added the ‘a’) and this, in turn, from the Semitic group of languages where eleph literally meant ‘ox’. It is thought the character represents the head of an ox.

O – from the Greek omicron and a meaning of ‘small o’, this from the Proto-Indo-European word smik or ‘small’ as this is a notably small vowel. As a letter it is derived from the Phoenician ayn or ‘eye’, itself taken from the Egyptian hieroglyph of an eye. O is also represented by omega, a comparatively late addition to the Greek alphabet and not seen until around 2,800 years ago. It is related to omicron and means ‘great o’ as in literally ‘o - mega’. If you want to know the diffidence between omicron and omega simply look at the word ‘lotto’, where the short version is near the beginning and the longer at the end.

P – comes from the Greek pi and itself from the Phoenician pe which, in turn, comes from the pictogram of a mouth.

Z – comes from the sixth letter of the Greek alphabet zeta and it is also the basis for our modern letter Z. Derived from the Hebrew zayin, literally meaning ‘weapon’ and likely a reference to its shape resembling a jagged edge.

G – if you’ve ever wondered why we have two pronunciations for the letter G – as in Gary and George – it is purely down to source. The hard G in Gary is Germanic, the softer G in George is from Latin and prior to that Greek. In fact the latter G did exist in the Latin alphabet but was written as a Z (try saying George with a Greek accent but spelling it with a Z, it works).

If you think you know someone who would like to hear me speak on this subject, drop me a line.

Tunisia Place Names Explained

Having blogged samples of my books on English place names and also examined the etymologies of the nations of the world and their respective capitals I thought it time I cast my net a little wider. As English place names share some links to other tongues it would be interesting to see if any of the elements contributing to our place names could be found elsewhere. Continuing an alphabetical tour of the world and a look at the largest Tunisian cities.

Tunis has a number of explanations: the Phoenician goddess Tanith; from the Berber root ens which could mean 'to lie down' or 'to pass right or 'camp at night' or 'stop'.

Sousse is a French version of the Arabic name, itself probably from the Berber Sous River.

Kairouan is an Arabic version of the Persian karvan meaning 'military camp'.

Bizerte is from the Punic and related to ubon meaning 'harbour'.

Aryanah is a name which dates from which this was a Vandal Kingdom and either refers to the Arian faith or to the Persians referring to themselves as Aryan.

Note the spellings of the places are English as the piece is written in English.

The Phoenicians

Last time I highlighted the influential Greek tongue in the development of Indo-European languages. The biggest influence on ancient Greek had been the earlier Phoenician tongue. It is quite surprising to discover just how much influence the Phoenicians have had and continue to have on our modern world.

The Phoenicians are probably best remembered as navigators. Dominating the Mediterranean for more than five centuries, their initial wealth came from salt. Every Phoenician city stood on the coast and allowed the sea to flood the marshland by means of a series of man-made channels. Subsequently dammed, these were dried by the reliable Mediterranean sun. Compared to processes this was almost labour-free. This salt enabled them to cast their fishing nets much further from shore and keep the catch fresh for much longer.

The Phoenicians would never have referred to themselves as such, for this is a Greek term used to describe the Canaanite towns and comes from the Greek for ‘land of purple’. This is a reminder of the murex-shell dye exported from the region. As with Greece each city state was an independent unit. With little arable land they were forced to trade and built a great number of vessels from the one natural resource they did have – wood.

Not only did the Phoenicians leave us salt and sailing, their writing proved the basis for almost every modern alphabet – the language is held to have been very closely related to Hebrew but whether one is a dialect of the other or the two have an unknown common ancestor is disputed.

A culture with a wealth built on salt enabled their vessels to travel great distances and bring back wonderful and rare spices, the most valuable of which was pepper. The two are inseparable on 21st century tables and yet ironically it was pepper which devalued salt. Another link between the Phoenicians and the modern era is that of climate change. A few years of extreme weather destroyed half the salt marshes and abnormally heavy rains ruined the cycle of evaporation. They never recovered and eventually even the most famous of them all, Carthage, was no more.