Old English to Modern English

A few will be aware I have been known to speak on various subjects over the years. Fundamentally these all revolve around my favourite subject of etymology. Have always enjoyed bringing this fascinating subject to others. It’s not for me to say whether the audiences have, although many have asked me to return.

Thought it might be worthwhile sharing a snippet or two from these etymological presentations, continuing with Old English to Modern English. The Saxons, Angles, Jutes and Frisians arrived on our shores from the fifth century AD. They brought with them the basis of our culture and a language which we refer to as Old English. Over the next 1,500 years influences principally from the Scandinavian and French tongues took this to Middle English and eventually to Modern English. English is the most diverse language and this is not simply down to the number of words adopted from quite unrelated tongues, a remnant of colonial days. There is a reason why English, more than any other, needs a thesaurus - indeed most languages never bother publishing a thesaurus (Japanese is a notable exception). That English has been influenced by so many others has led to such a great number of alternative words. Learn how these came began, where they came from and, most interestingly, how they evolved, how the meanings changed and developed to become the language we know today. There is a PowerPoint presentation to accompany this talk if required.

The letter A is for an used in such things as ‘an egg’ instead of ‘a’ when the following noun begins with a vowel. However, it actually began as ‘one’ hence ‘one egg’ and the use of ‘a’ actually the loss of the following ‘n’. Note it is difficult to say AN LEG, AN HORSE, AN BOTTLE) but Old English would have been pronounced as AYN LEG, AYN HORSE, AYN BOTTLE which is rather easier. The same thing is seen in anfeld which may have been used to mean ‘simple’ but actually comes from ‘one-fold’ as in ‘once’.

The letter C is for ceap meaning ‘market’ and which also gave geceapian ‘to buy’. Now today we look for things on the cheap at the market, where originally they would market things at the cheap. Note we say ‘on the cheap’ to mean ‘cheaply’ – on the cheap meaning ‘on the market’. And this is still seen in place names such as Chipping Norton, Chipping Sodbury and street names such as Cheap Street and Cheapside.

The Letter K is for nothing, no not a silent ‘k’ but a letter coming to modern English from the Scandinavian languages. Incidentally the silent ‘K’ is a modern idea – once we had k-nights, and k-nives, but nobody wore k-nickers as this was originally knickerbockers and even that word unknown before 1859. This was not what you were expecting when I mentioned knickerbockers – admit it.

The letter Q is French and did not appear in Old English. Oddly the word ‘queue’, albeit with a spelling of c-u-e, appeared in English before the Norman invasion. It was used to describe a ‘tail’ (and other long parts of the mammalian anatomy), and first used to refer to a line of people in 1837, some 350 years after the first queues were named as ‘lines of dancers’.

If you think you know someone who would like to hear me speak on this subject, drop me a line.

30 Years of Not Being Published

A few will be aware I have been known to speak on various subjects over the years. Fundamentally these all revolve around my favourite subject of etymology. Have always enjoyed bringing this fascinating subject to others. It’s not for me to say whether the audiences have, although many have asked me to return.

Thought it might be worthwhile sharing a snippet or two from these etymological presentations, continuing with 30 Years of Not Being Published. In over three decades more than ninety published works have appeared on the shelves. This talk is not as negative as it may first seem. During this period I have amassed a vast number of rejection letters, but still managed to average three books a year and more than one article each and every week. Listen to the experiences, the mistakes, the ideas, the tips and advice on how all writers have something to learn and also to contribute to the literary world. There is a PowerPoint presentation to accompany this talk if required.

When it comes to finding a publisher, possibly the best piece of advice I have is simply to find a published book that is as close to yours as possible, then pitch it to that publisher. The reason? Because an editorial department have the job of producing something new, but sales teams want what is selling .

Interesting verbs are seldom very interesting. — Says Jonathan Franzen, who fails to remember ‘very’ is a word which Oscar Wilde advised writers to edit out and replaced with ‘damned’ as the publisher will then cross out every example and thus make the ideal manuscript.

“Write what you know about” – Brilliant advice. Except for the advice on how to check every fact, research every snippet, and all the rest of the baloney. And there’s also the fact that people (yes even writers) are sometimes mistaken and what they “KNOW” is incorrect. If not, nobody would ever get divorced, have unwanted pregnancies, jobs they can’t do, or ever make a mistake. As a little pointer to how stupid this advice is, do some research into all these HOW TO books for writers and look at how many books they’ve had published previously – you’ll be amazed at how often it is their FIRST and perhaps even ONLY book .

If you think you know someone who would like to hear me speak on this subject, drop me a line.