Several words have found themselves used in a number of phrases. We looked at 'egg' last time and this time it's 'dig'.
Dig is first used to describe an archaeological expedition in 1896.
Dig is used to mean a prod or poke (often with the elbow in the ribs) from 1819.
Digs is first seen as a slang term for ‘lodgings’ in 1893, but the term ‘diggings’ had been in use since at least 1838.
Whether I can include dugout or not is likely a matter of personal opinion, but I am because the dugout canoe is one of the earliest technologies (albeit not so much dug out as burned out) – however, not seen in print until 1722.
The dug out is also an area alongside the playing area where coaches, medical team, other players would be located during play. This sense is first seen in 1914.
Shindig is probably getting close to becoming obsolete, but for those who remember this reference to a party, dance, or lively gathering, it is first seen in 1821 – it is thought to have originally been used as ‘shinty’.
And on the subject of music, nobody ever used the slang term ‘dig’ to suggest they rather liked the latest musical offering until the late 1950s.
Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
Tuesday, 2 April 2024
Sunday, 15 January 2023
Homonyms, Etymologically Speaking: J
Many words have two meanings, sometimes more, which are often very different. Such words have identical spelling and pronunciation, they are known as homonyms. Here I continue an A to Z list of such words and look at how that word came to have two different meanings.
J is for jam, be it a fruit preserve, or in the sense of wedged, tightly packed, or even in the musical sense. Taking these in order, the preserve is has only been known as 'jam' since around 1730, this almost certainly from the method of production in crushing the fruit. As a verb it has only been seen since 1716, but likely comes from the Old English cham 'to bite, gnash' and still seen in English (albeit probably only preserved by classic comics) 'chomp'.
Other uses such as the jamming of machinery, seen since 1851; the jamming of radio signals, since 1914; and to play impromptu music from 1935.
J is for jam, be it a fruit preserve, or in the sense of wedged, tightly packed, or even in the musical sense. Taking these in order, the preserve is has only been known as 'jam' since around 1730, this almost certainly from the method of production in crushing the fruit. As a verb it has only been seen since 1716, but likely comes from the Old English cham 'to bite, gnash' and still seen in English (albeit probably only preserved by classic comics) 'chomp'.
Other uses such as the jamming of machinery, seen since 1851; the jamming of radio signals, since 1914; and to play impromptu music from 1935.
Sunday, 23 March 2014
The Who and Why
Introduced to music in the 1960s, I still search for albums by bands from that golden era of British music, I have always been intrigued by the names chosen by bands. Some are obvious, such as the Dave Clark Five, a five-piece outfit put together by Dave Clark, others have clearly taken some thought. My interest in etymology and music resulted in the following, although it is not restricted to the Sixties but simply those I found the most interesting.
A-HA – was a prospective title for a song written by one of this band hailing from Norway, but when Morten Harket saw it he liked it as the name for the band. A little research showed this expression means the same virtually the world over and made an excellent choice.
BEATLES – Buddy Holly’s band were the Crickets. Either John Lennon or Stuart Sutcliffe suggested Beetles as a tribute to Crickets, with the former suggesting a change in spelling to Beatles which also suggested ‘beat’. Initially they were the Silver Beatles (or Beetles), although how he came up with this has had several suggestions.
CREEDENCE CLEARWATER REVIVAL – two suggestions for the origins here, both agree that Clear Water was a favourite of John Fogerty’s and he was delighted when, having been discontinued, was revived by another brewery after a break of four years. Both also agree that Creedence was a friend of John’s but some say this was one Norvel Creedence, while others attribute it to Creedence Newball.
DOOBIE BROTHERS – came from the Sixties slang for a joint.
EAGLES – influenced by the Byrds and a much better name than their original Teen King and the Emergencies.
FAIRPORT CONVENTION – where the band met (or convened) for the house was called Fairport.
GOLDEN EARRING – took the name of a film, well almost. It was inspired by the film Golden Earrings, a 1947 release starring Ray Milland and Marlene Dietrich set on the eve of the Second World War.
HOLLIES – as with the Beatles inspired and influenced by Buddy Holly and the Crickets, although some sources suggest it was a Christmas decoration at the home of Graham Nash.
IGGY POPP and the STOOGES – apparently Iggy, from ‘Iguana’, had been his nickname since childhood while the surname was taken from local junkie Jim Popp. One of the band’s favourite pastimes was to watch the Three Stooges.
JETHRO TULL – named after an eighteenth century chap who invented the seed-drill.
KIRBYS – if an origin fails to be creative, let it be silly. This band were the Panthers until they appeared on Radio Luxembourg, where the presenter (who shall be nameless) introduced them as the Kirbys, when he should have said they were from Kirby.
LOVIN’ SPOONFUL – was inspired by a line from Coffee Blues: “Well, please ma’am, just a lovin’ spoon, just a lovin’ spoonful, I declare, I got to have my lovin’ spoonful”. It is said to be slang for sperm but I could find no evidence of its use in this context before the band achieved success.
MARCELS – named after a hairstyle, one worn at the time by band member Fred Johnson’s sister Priscilla. I had never heard of a marcel wave and, having researched the image, don’t think it would suit me.
NAZARETH – a line from the Band’s track entitled The Weight: “I pulled into Nazareth, was feeling about half past dead”.
OASIS – named after the Oasis Leisure Centre in Swindon.
POGUES – owing to complaints received by the BBC the band amended their name from what was originally the Gaelic for ‘kiss my arse’ (genius!)
QUEEN – said to have been chosen as a regal name and easily remembered, Freddie Mercury recognised the gay connection but never confirmed or denied it was a factor.
RAMONES – upon joining every member of the band adopts the stage name Ramone. This began with Douglas Colvin calling himself Dee Dee Ramone, a tribute to an early alias of Paul McCartney who took the name of Paul Ramon or Ramone.
SMALL FACES – taken from the Who song “I’m the Face”, where ‘face’ was used by Mods to mean “one with style” and ‘small’ because of the stature of the band members.
THREE DOG NIGHT – suggested by a former girlfriend of band member Danny Hutton. June Fairchild had been reading a magazine article about the people indigenous to Australia often, mistakenly, referred to as Aborigines. Desert nights can be cold, feeling particularly so when contrasting with the heat of the day, so they dig a hole as a bed and cuddle up to a dingo for warmth. Colder nights would require two dogs and the coldest known as a Three Dog Night.
ULTRAVOX – is Latin for ‘the greatest amount of voice”
VILLAGE PEOPLE – all the members of the band came from Greenwich Village.
WAYNE FONTANA and the MINDBENDERS – Glyn Ellis took the name ‘Wayne’ to add to the surname of D J Fontana, the drummer during Elvis Presley’s early years. The band took their name from a horror film, The Mindbenders being released in 1962.
ZZ TOP – inspired by their hero, blues legend B B King and wanted to call themselves Z Z King (the US pronunciation being ‘zee zee’ not ‘zed zed’ as in the UK). This similarity made them change ‘King’ to ‘Top’ as both could be used as synonyms for ‘best’ or ‘ultimate’.
Finally to answer the question set in the title. Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon were originally the Detours but with Johnny Devlin and the Detours also around at that time decided to opt for a change. Townshend favoured a joke announcement, throwing out suggestions such as “No One” or “The Group” but ended up with The Who. There are also suggestions this was first heard from Townshend’s grandmother, whose hearing problems and lack of knowledge of modern music saw her respond to a mention of a band with “The who?”
A-HA – was a prospective title for a song written by one of this band hailing from Norway, but when Morten Harket saw it he liked it as the name for the band. A little research showed this expression means the same virtually the world over and made an excellent choice.
BEATLES – Buddy Holly’s band were the Crickets. Either John Lennon or Stuart Sutcliffe suggested Beetles as a tribute to Crickets, with the former suggesting a change in spelling to Beatles which also suggested ‘beat’. Initially they were the Silver Beatles (or Beetles), although how he came up with this has had several suggestions.
CREEDENCE CLEARWATER REVIVAL – two suggestions for the origins here, both agree that Clear Water was a favourite of John Fogerty’s and he was delighted when, having been discontinued, was revived by another brewery after a break of four years. Both also agree that Creedence was a friend of John’s but some say this was one Norvel Creedence, while others attribute it to Creedence Newball.
DOOBIE BROTHERS – came from the Sixties slang for a joint.
EAGLES – influenced by the Byrds and a much better name than their original Teen King and the Emergencies.
FAIRPORT CONVENTION – where the band met (or convened) for the house was called Fairport.
GOLDEN EARRING – took the name of a film, well almost. It was inspired by the film Golden Earrings, a 1947 release starring Ray Milland and Marlene Dietrich set on the eve of the Second World War.
HOLLIES – as with the Beatles inspired and influenced by Buddy Holly and the Crickets, although some sources suggest it was a Christmas decoration at the home of Graham Nash.
IGGY POPP and the STOOGES – apparently Iggy, from ‘Iguana’, had been his nickname since childhood while the surname was taken from local junkie Jim Popp. One of the band’s favourite pastimes was to watch the Three Stooges.
JETHRO TULL – named after an eighteenth century chap who invented the seed-drill.
KIRBYS – if an origin fails to be creative, let it be silly. This band were the Panthers until they appeared on Radio Luxembourg, where the presenter (who shall be nameless) introduced them as the Kirbys, when he should have said they were from Kirby.
LOVIN’ SPOONFUL – was inspired by a line from Coffee Blues: “Well, please ma’am, just a lovin’ spoon, just a lovin’ spoonful, I declare, I got to have my lovin’ spoonful”. It is said to be slang for sperm but I could find no evidence of its use in this context before the band achieved success.
MARCELS – named after a hairstyle, one worn at the time by band member Fred Johnson’s sister Priscilla. I had never heard of a marcel wave and, having researched the image, don’t think it would suit me.
NAZARETH – a line from the Band’s track entitled The Weight: “I pulled into Nazareth, was feeling about half past dead”.
OASIS – named after the Oasis Leisure Centre in Swindon.
POGUES – owing to complaints received by the BBC the band amended their name from what was originally the Gaelic for ‘kiss my arse’ (genius!)
QUEEN – said to have been chosen as a regal name and easily remembered, Freddie Mercury recognised the gay connection but never confirmed or denied it was a factor.
RAMONES – upon joining every member of the band adopts the stage name Ramone. This began with Douglas Colvin calling himself Dee Dee Ramone, a tribute to an early alias of Paul McCartney who took the name of Paul Ramon or Ramone.
SMALL FACES – taken from the Who song “I’m the Face”, where ‘face’ was used by Mods to mean “one with style” and ‘small’ because of the stature of the band members.
THREE DOG NIGHT – suggested by a former girlfriend of band member Danny Hutton. June Fairchild had been reading a magazine article about the people indigenous to Australia often, mistakenly, referred to as Aborigines. Desert nights can be cold, feeling particularly so when contrasting with the heat of the day, so they dig a hole as a bed and cuddle up to a dingo for warmth. Colder nights would require two dogs and the coldest known as a Three Dog Night.
ULTRAVOX – is Latin for ‘the greatest amount of voice”
VILLAGE PEOPLE – all the members of the band came from Greenwich Village.
WAYNE FONTANA and the MINDBENDERS – Glyn Ellis took the name ‘Wayne’ to add to the surname of D J Fontana, the drummer during Elvis Presley’s early years. The band took their name from a horror film, The Mindbenders being released in 1962.
ZZ TOP – inspired by their hero, blues legend B B King and wanted to call themselves Z Z King (the US pronunciation being ‘zee zee’ not ‘zed zed’ as in the UK). This similarity made them change ‘King’ to ‘Top’ as both could be used as synonyms for ‘best’ or ‘ultimate’.
Finally to answer the question set in the title. Roger Daltrey, Pete Townshend, John Entwistle, and Keith Moon were originally the Detours but with Johnny Devlin and the Detours also around at that time decided to opt for a change. Townshend favoured a joke announcement, throwing out suggestions such as “No One” or “The Group” but ended up with The Who. There are also suggestions this was first heard from Townshend’s grandmother, whose hearing problems and lack of knowledge of modern music saw her respond to a mention of a band with “The who?”
Sunday, 22 September 2013
Naming Musical Instruments.
Few cannot be aware of the naming of comparatively recent instruments - such as the sousaphone, after John Philip Sousa, and the moog synthesizer, from Robert Moog – but what about more traditional instruments? Where did their names originate? Purely for ease of reference these are listed in alphabetical order.
Balalaika – is a difficult one for it appears to have no etymological value whatsoever. While the first reference is found in a Russian document dated 1688, the very similar term balabaika is also used in Ukrainian records shortly afterwards. One theory suggests it was loaned to both from one of the many sub-languages – there are twenty-seven in Russia and eighteen in Ukraine alone - found throughout this region probably wherever the instrument was first developed.
Banjo – came through the southern US term bandore but is ultimately from the Greek pandoura, a three-stringed lute.
Bassoon – a late-ish instrument of the oboe family. It’s low pitch meant the use of the Italian basso as the basis of the name.
Bouzuki – is a Greek stringed instrument borrowed from the Turkish ‘bozuk’ which means ‘broken’ or sometimes ‘modified’. Here the later seems more likely as the original instrument was formed from a solid block of wood but later modified into the instrument we see today.
Bugle – from the Middle English and Old French words for ‘buffalo’, presumably the idea was the instrument resembled the water buffalo in some way.
Castanets – derived from the shape the Spanish castaneta is ultimately from the Latin castanea or ‘chestnut’, this small concave piece of wood was thought to resemble the chestnut.
Cello – an abbreviation of violoncello, it being a member of the violin family and explained under its family name.
Clavichord – an instrument produced from the fifteenth century and named from the Latin clavis ‘key’ and chorda ‘string’, which is exactly how the instrument is played.
Cornet – named from the shape, not because it resembles something to hold ice-cream but through Middle English from Old French and ultimately from Latin cornu or ‘horn’.
Cymbals – an instrument which has been used at least since its first record of use by the Assyrians some six thousand years ago, although the name is from the Green kumbos meaning ‘cup’.
Drum – undoubtedly the oldest instrument, evidence of drums have been found from Neolithic times, yet the word is comparatively recent from the Late German trommel.
Euphonium – a wind instrument related to the tuba whose name derives from the Greek euphonos ‘pleasant sound’.
Glockenspiel – a recent instrument, not seen until the nineteenth century, and derived from the German for ‘bell play’.
Guitar – a surprisingly modern term for an instrument which is certainly much older than the name. A 3,300-year-old carving of a Hittite playing a stringed instrument is the oldest known, although that particular item is referred to as a chordophone. English ‘guitar’, German ‘gitarre’, Spanish ‘guitarra’, Arabic ‘qitara’, and even Latin ‘cithara’ are all thought to originate from the Ancient Greek ‘kithara’, itself a kind of lute with just two strings.
Jew’s harp – suggestions that this should be jaw’s harp are untrue as the instrument existed thousands of years before the word ‘jaw’ was ever heard. In the same way the term Jew’s harp is also nothing to do with the Jews for the instrument was almost certainly known well before the Jews were called such and no link between the two has ever been found.
Lute – brought to Europe by the Moors when they came to Spain in the eleventh century, the name can be traced to the Arabic al-ud meaning literally ‘the wood’.
Lyre – from the Macedonian Greek ruratae meaning ‘the lyricists’ and thus named for those who produced the words which were accompanied by lyre.
Oboe – named from the French haut bois ‘high wood’.
Ocarina – this egg-shaped instrument is named for its appearance, coming from Italian oca or ‘goose’.
Panpipe – named from their association with the Greek god Pan but certainly not their original name as this simple instrument was certainly known in Neolithic times.
Piano – originating in piano e forte, Italian meaning ‘soft and loud’, a good description of the qualities of this instrument.
Piccolo – another of Italian derivation, here the name describes the ‘small flute’.
Sackbut – the precursor of the trombone, this was named from its resemblance to an earlier weapon known as a saqueboute which described its use to pull riders from the saddle.
Saxophone – invented in 1840 by Adolphe Sax.
Sistrum – a jingling percussion instrument known to the Egyptians and named by them from their word meaning ‘to shake’.
Sitar – ultimately from the Persian and Urdu, itself composed of two words: sih ‘three’ and tar ‘string’.
Tambourine – actually gives the opportunity to define two instruments. The tambourine is derived from the tambour, the circular frame used to hold embroidery and to which small cymbals were attached to produce a tambourine. The tambour was named as it resembled the tabor, a small percussion instrument from the Persian tabira meaning ‘drum’.
Trumpet – from the Old French trompette which simply describes the flared shape at the larger end.
Tuba – derived from the Italian for ‘trumpet’.
Ukulele – a name which is derived from the Hawaiian meaning ‘jumping flea’, possibly because of the movement of the fingers when it is played. However, there is a traditional explanation that it comes from the nickname of one of the best players of the ukulele. One Edward William Purvis, an officer of King Kalakaua, was apparently known as ‘jumping flea’ because of his small stature and his propensity for fidgeting.
Violin – thought to ultimately derived from the Latin verb vitulari meaning ‘be joyful’.
Xylophone – known by the ninth century in Africa, its popularity in Europe grew from the fifteenth century. The modern name is derived from the Greek xulon ‘wood’ + phone.
I would welcome any suggestions for themes or subjects, or even specific words to examine the origins, meanings and etymologies. I’d be delighted to hear from you.
Balalaika – is a difficult one for it appears to have no etymological value whatsoever. While the first reference is found in a Russian document dated 1688, the very similar term balabaika is also used in Ukrainian records shortly afterwards. One theory suggests it was loaned to both from one of the many sub-languages – there are twenty-seven in Russia and eighteen in Ukraine alone - found throughout this region probably wherever the instrument was first developed.
Banjo – came through the southern US term bandore but is ultimately from the Greek pandoura, a three-stringed lute.
Bassoon – a late-ish instrument of the oboe family. It’s low pitch meant the use of the Italian basso as the basis of the name.
Bouzuki – is a Greek stringed instrument borrowed from the Turkish ‘bozuk’ which means ‘broken’ or sometimes ‘modified’. Here the later seems more likely as the original instrument was formed from a solid block of wood but later modified into the instrument we see today.
Bugle – from the Middle English and Old French words for ‘buffalo’, presumably the idea was the instrument resembled the water buffalo in some way.
Castanets – derived from the shape the Spanish castaneta is ultimately from the Latin castanea or ‘chestnut’, this small concave piece of wood was thought to resemble the chestnut.
Cello – an abbreviation of violoncello, it being a member of the violin family and explained under its family name.
Clavichord – an instrument produced from the fifteenth century and named from the Latin clavis ‘key’ and chorda ‘string’, which is exactly how the instrument is played.
Cornet – named from the shape, not because it resembles something to hold ice-cream but through Middle English from Old French and ultimately from Latin cornu or ‘horn’.
Cymbals – an instrument which has been used at least since its first record of use by the Assyrians some six thousand years ago, although the name is from the Green kumbos meaning ‘cup’.
Drum – undoubtedly the oldest instrument, evidence of drums have been found from Neolithic times, yet the word is comparatively recent from the Late German trommel.
Euphonium – a wind instrument related to the tuba whose name derives from the Greek euphonos ‘pleasant sound’.
Glockenspiel – a recent instrument, not seen until the nineteenth century, and derived from the German for ‘bell play’.
Guitar – a surprisingly modern term for an instrument which is certainly much older than the name. A 3,300-year-old carving of a Hittite playing a stringed instrument is the oldest known, although that particular item is referred to as a chordophone. English ‘guitar’, German ‘gitarre’, Spanish ‘guitarra’, Arabic ‘qitara’, and even Latin ‘cithara’ are all thought to originate from the Ancient Greek ‘kithara’, itself a kind of lute with just two strings.
Jew’s harp – suggestions that this should be jaw’s harp are untrue as the instrument existed thousands of years before the word ‘jaw’ was ever heard. In the same way the term Jew’s harp is also nothing to do with the Jews for the instrument was almost certainly known well before the Jews were called such and no link between the two has ever been found.
Lute – brought to Europe by the Moors when they came to Spain in the eleventh century, the name can be traced to the Arabic al-ud meaning literally ‘the wood’.
Lyre – from the Macedonian Greek ruratae meaning ‘the lyricists’ and thus named for those who produced the words which were accompanied by lyre.
Oboe – named from the French haut bois ‘high wood’.
Ocarina – this egg-shaped instrument is named for its appearance, coming from Italian oca or ‘goose’.
Panpipe – named from their association with the Greek god Pan but certainly not their original name as this simple instrument was certainly known in Neolithic times.
Piano – originating in piano e forte, Italian meaning ‘soft and loud’, a good description of the qualities of this instrument.
Piccolo – another of Italian derivation, here the name describes the ‘small flute’.
Sackbut – the precursor of the trombone, this was named from its resemblance to an earlier weapon known as a saqueboute which described its use to pull riders from the saddle.
Saxophone – invented in 1840 by Adolphe Sax.
Sistrum – a jingling percussion instrument known to the Egyptians and named by them from their word meaning ‘to shake’.
Sitar – ultimately from the Persian and Urdu, itself composed of two words: sih ‘three’ and tar ‘string’.
Tambourine – actually gives the opportunity to define two instruments. The tambourine is derived from the tambour, the circular frame used to hold embroidery and to which small cymbals were attached to produce a tambourine. The tambour was named as it resembled the tabor, a small percussion instrument from the Persian tabira meaning ‘drum’.
Trumpet – from the Old French trompette which simply describes the flared shape at the larger end.
Tuba – derived from the Italian for ‘trumpet’.
Ukulele – a name which is derived from the Hawaiian meaning ‘jumping flea’, possibly because of the movement of the fingers when it is played. However, there is a traditional explanation that it comes from the nickname of one of the best players of the ukulele. One Edward William Purvis, an officer of King Kalakaua, was apparently known as ‘jumping flea’ because of his small stature and his propensity for fidgeting.
Violin – thought to ultimately derived from the Latin verb vitulari meaning ‘be joyful’.
Xylophone – known by the ninth century in Africa, its popularity in Europe grew from the fifteenth century. The modern name is derived from the Greek xulon ‘wood’ + phone.
I would welcome any suggestions for themes or subjects, or even specific words to examine the origins, meanings and etymologies. I’d be delighted to hear from you.
Sunday, 18 November 2012
Desert Island Discs
First introduced to this long-running radio broadcast by my grandmother. In those days nearly every piece of music chosen was classical or from some musical or other – at least it seemed that way. In recent years the delights of the podcast, the ideal companion on a long walk, has reunited me with Desert Island Discs and started me thinking about my own particular choices and just how difficult it must be to select just eight tracks to represent one’s life thus far. When first listening, with my grandmother, as I was around seven years old and, with the Merseybeat dominating the UK charts, the decision would have been much easier than today, almost five decades later!
Never one to be able to resist a challenge, I began to jot down some favourite tracks but soon abandoned this method as I would have ended up with hundreds before long. Hence I tried to think of music which reminded me of significant moments in my life. Oddly this failed for the opposite reason, for I have no notion of what (if anything) was playing when I heard about 9/11 or Kennedy’s assassination, for example. So I tried eras and genres and eventually whittled the list down to the following. Unlike the programme I’ve not explained the reason for my choices, indeed I’d probably struggle to find explanations for most. Incidentally this list would probably change dramatically every single day.
She Loves You – The Beatles
Meditation de Thais – Jules Massenet
Brown Sugar – The Rolling Stones
The Impossible Dream – Matt Monroe
Running Scared – Roy Orbison
Walk Hand In Hand – Gerry and the Pacemakers
I Shall Be Released – The Hollies
Imagine – John Lennon
When it came to a choice of books the decision was much easier. My favourite sci-fi author is, was and ever shall be Isaac Asimov. Mr Asimov was also famous for being the first (and maybe still the only) person to have a published work in every category of the Dewey Decimal System. As Kirsty is very flexible when it comes to book choices, I shall opt for the yet to be released The Complete Works of Isaac Asimov, it might even be able to tell me how to survive on this island. Incidentally the mandatory Shakespeare I can take or leave, and the Bible will only be ballast. I have no faith and if I accept it will teach me to be better inclined toward my fellow man it is doubly redundant as I am now alone on a desert island!
Luxury item was very difficult. It changes every time I make a decision. So before it changes again, I’ll opt for R Daneel Olivaw – I doubt if this will be allowed but I’m not giving her the chance to veto it. Oh, and if you don’t know who or what R Daneel Olivaw is, you haven’t read my book choice.
Never one to be able to resist a challenge, I began to jot down some favourite tracks but soon abandoned this method as I would have ended up with hundreds before long. Hence I tried to think of music which reminded me of significant moments in my life. Oddly this failed for the opposite reason, for I have no notion of what (if anything) was playing when I heard about 9/11 or Kennedy’s assassination, for example. So I tried eras and genres and eventually whittled the list down to the following. Unlike the programme I’ve not explained the reason for my choices, indeed I’d probably struggle to find explanations for most. Incidentally this list would probably change dramatically every single day.
She Loves You – The Beatles
Meditation de Thais – Jules Massenet
Brown Sugar – The Rolling Stones
The Impossible Dream – Matt Monroe
Running Scared – Roy Orbison
Walk Hand In Hand – Gerry and the Pacemakers
I Shall Be Released – The Hollies
Imagine – John Lennon
When it came to a choice of books the decision was much easier. My favourite sci-fi author is, was and ever shall be Isaac Asimov. Mr Asimov was also famous for being the first (and maybe still the only) person to have a published work in every category of the Dewey Decimal System. As Kirsty is very flexible when it comes to book choices, I shall opt for the yet to be released The Complete Works of Isaac Asimov, it might even be able to tell me how to survive on this island. Incidentally the mandatory Shakespeare I can take or leave, and the Bible will only be ballast. I have no faith and if I accept it will teach me to be better inclined toward my fellow man it is doubly redundant as I am now alone on a desert island!
Luxury item was very difficult. It changes every time I make a decision. So before it changes again, I’ll opt for R Daneel Olivaw – I doubt if this will be allowed but I’m not giving her the chance to veto it. Oh, and if you don’t know who or what R Daneel Olivaw is, you haven’t read my book choice.
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